"I could imagine developing a pure "sound-installation"
integrated into the architecture of a building, a hall for example,
which is frequently passed by
people. Since persons and their movements always vary, they always generate
different sound spectrums.
Such an installation covering a whole room, where many
be taken into consideration, will be expensive, and it will hardly be
for me to realize it on my own without the help of a patron.
" (January 2001)
These examples are only an illustration of almost innumerable
The basic structure of the sculptures are transferable to almost any
form and setting.